Luthia is a Buenos Aires based firm. It sells handmade, detailed and artisanal backpacks and totes. Through a simple yet elegant design we tried to communicate the brand attributes of simplicity, happiness and quality. We achieved this through a minimal and tactile aesthetic; white & grey palette, porous & pure white paper and embossing. It is a minimalistic and aesthetically pleasing brand.
Empatia is a small firm and proud of it. They work with great brands and their designs are always minimal and focused on clean typography. Their process is well-defined – it’s spelled out on their beautiful website – and incorporates a healthy dose of listening and client objectives before ever getting to design. In other words, they focus on branding that gets results. Real ones.
The typographic branding conveys function and simple form that quickly communicates. Like a bag, it is the job of the brand to perform a definite purpose and then get out of the way. At the same time, it’s always with you keeping your valuables, so it had better look good.
The embossed detail on Luthia’s business cards adds a new dimension to the typography. The focus on white space and the removal of all non-essential information maintains the high functionality and elegance of the brand.
We especially love the tags that look more like well-designed decoration. When buying a fashion accessory we expect everything to be high fashion – including the packaging.
The elegant script typography on the tags conveys almost a whispered message to the reader.
Check out more of Empatia’s work at www.helloempatia.com.
On 28, Aug 2014 | | In Packaging |
One of the key roles of Packaging is to ‘represent an experience’ in the decision making process – it can remind customers of the experience they had before (if they bought it before and liked it) or represent the experience that they are hoping to have (if they haven’t purchased it before). At that moment of truth when they are standing at the shelf or comparing product online, subconsciously they are deciding which will deliver the best experience.
Just read one of Joshua’s posts about packaging and you’re immediately struck by his dedication. His constant questioning leads to imagination and new ideas. The coffee packaging for Wishbone Brew is different. It combines an industrial look – how a motor oil can might have looked in the 50′s. Then he combines it plenty of white space, warm colors, and a slightly unexpected product inside.
Sans and Serif talked to Joshua about his work on the project.
What was your inspiration for this particular design?
We challenged ourselves to re-think traditional coffee packaging. We love coffee, but see that most people use the same containers and vessels, we thought there was an opportunity to take a new, fresh approach with a handcrafted feel.
What are three of the principles that guide your design choices?
Knowledge – researching the market, understanding the creative and competitive landscape to know how to best position a brand in the market. Simplicity – in a cluttered world, simple things stand out and gain attention using restrain vs. shouting at the consumer. Tactility – Holding and feeling something in your hands is where you can make true emotional connections with brands and packaging, it has to feel nice, not just look nice.
Who is the designer you look up to the most and why?
Steve Grasse (Art in the Age) – He has moved from designer to product maker, most known for designing and creating
Hendricks Gin – he has gone beyond the design to build a product using his design skill set and done very well.
Stranger and Stranger – For their attention to detail and execution and promotion of high quality packaging work.
What is the one tool you couldn’t live without?
The internet. It has allowed for us to quickly research the markets and broaden our perspective into visual trends and ideas from places outside our local markets.
Joshua Vanderheide and Jesse Bannister founded Also Known As in 2010 in Vancouver, Canada. Impressed with what you see? You should be. Check out more of their work at www.alsoknownas.ca.
Here’s what Christian Ernst, the artist behind this book design, has to say:
In second semester typography course at HTW Berlin we were assigned to design and produce a book. After teaming up with Alex Venus and Robin Soyka for the project we decided to work on a book that showcases great environment design in games and other virtual spaces.
This began as a student project based on a simple idea: showcase the engrossing environments made alive in video games. It turned out to be a viral idea. It is also one of the most interesting works he has ever created.
New Eden’s book design features minimal typography and icon design to get out of the way of colorful backdrops. The titles and text – like the scenery – are bold and remind us of book design for the best coffee table pieces.
You’ll see more from Christian Ernst soon. You can find him at christian-ernst.com.
On 25, Aug 2014 | | In Branding |
A brand identity project for London based Little Black Book. LBB is the online creative resource for the global advertising community. The project also included website reskin, stationery design and promotional materials. Freytag Anderson – the design studio behind this branding project – have a minimal design aesthetic and keep only what is necessary. The packaging is simple, well-designed, and elegant. Every piece of the puzzle fits together like a mosaic.
Contact the Designers
Visit Freytag Anderson on the web at http://www.freytaganderson.com/.
On 22, Aug 2014 | | In Typography |
This post is a little different than most because it’s about a designer rather than a a single brand. Jeremy Vessey is a designer in Canada focused on typography and UI, and these works showcase his talents in a clean and inspirational way.